Now that she`s back again on TV,let`s take a look back at an interview she did back in 2009 during promoting Street Fighter on what she thought makes a good TV :

What are you looking at doing next?

Kristin Kreuk: “I’m looking for a project, been reading a lot of scripts. I would love to do something that is more in the real world as opposed to the fantastical realm, even if it’s like five lines. I just want to build myself as an actor and start to participate in movies that really help people shift their worldview, even if it’s a little bit. That’s really where I want to move into is helping people broaden their perspective.”

Would you do TV again?

Kristin Kreuk: “Yes. Some of my favorite things are TV shows like Six Feet Under. Even Sopranos, they’re really well made, well thought out, intelligent shows with very deep characters that are consistent from beginning to end. There seems to be a very well planned out arc. I like that about TV, but I’d want to talk to the producers and have them go, ‘This is our plan. These are our characters. We want to go five, six years at the most. That won’t change because this is our arc.’ Instead of just going forever, like 10 years, just because they can. I like that.”

Source:About.com

On her Facebook Page,Kristin told us that Her Favorites TV shows are : The Wire,Six Feet Under,and Sopranos.

Those Three shows have been long declared by the critics as Top 3 Best TV Shows of all time *don`t believe me? just google it*

I`m a HUGE fan of The Wire,and can`t reccoment it enough…it`s just the best thing ever graced television. No other series in history has attracted such critical praise, not least from the kind of high-minded cultural arbiters who would usually only watch a US crime drama with a peg on their nose. According to these critics, The Wire isn’t merely the best thing on TV; it merits comparison with the works of Dickens and Dostoevsky. As the entertainment industry magazine Variety observed, “When television history is written, little else will rival The Wire, a series of such ambition that it is, perhaps inevitably, savoured only by the appreciative few.”

The Wire is a TV programme like no other. Its central character isn’t a cop or a criminal but a city: the faded industrial port of Baltimore, Maryland. Over the course of 60 episodes and multiple storylines, The Wire portrays Baltimore – and by extension urban America as a whole – through the eyes of dozens of characters. Each series focuses on a different facet of the city, including the drug-ravaged housing projects, down-at-heel docks, crumbling public schools and corrupt political administration. Regardless of whether its characters are running drugs or running for office, The Wire refuses to make black-and-white judgements about them. Its prevailing moral universe is grey.